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Stuart Handler is an industrialist and prominent collector of fine pre-Colombian art for over 30 years. He is the editor and author of Traveling with Cortes and Pizarro/Discovering Fine Pre-Columbian Art, published by Five Continents Editions in 2019. Stuart worked with 10 nationally-known scholars to write about ancient and tribal art and how it connects mankind throughout the ages.
Authors of Chapters:
Dr. Dahlia W. Zaidel: Adjunct professor of behavioral neuroscience at UCLA, and member of the Brain Research Institute — “The Brain and Art”
Wilfried van Damme: Art historian and anthropologist — “Aesthetics and Human Cultures”
Barbara C. Sproul: Author of Primary Myths: Creation Myths Around the World and former department of religion chair at Hunter College, CUNY — “Creation Myths”
Herbert M. Cole: Author of Maternity: Mothers and Children in the Arts of Africa and professor emeritus of art history at the University of California, Santa Barbara — “Motherhood and the Family”
Lark E. Mason: Former Senior VP at Sotheby’s Department of Chinese Works of Art and expert on Chinese art and antiquities — “The World Around Us”
David H. Dye: Author of War Paths, Peace Paths, and professor of archaeology and faculty advisor at the University of Memphis — “Conflict and Warfare”
John F. Scott: Author of Latin American Art: Ancient to Modern and professor emeritus of art history at the University of Florida — “Portraying Ourselves and Others”
Todd J. Pesek, MD: Physician practicing preventative, integrative, and holistic healthcare, and founding director of the Center of Healing Across Cultures — “Sickness and Healing”
Alex W. Barker: Director of the Arkansas Archaeological Survey at the University of Arkansas and former president of the American Anthropological Association — “Religion and Rituals”
Robert B. Pickering: Professor emeritus of Anthropology and founding director of the Museum Science & Management program at the University of Tulsa — “Death”
There are many ways of thinking about art. Instead of following the standard geographical or historical arrangement, this book moves on to group works thematically in terms of human life events such as portrayal of self, family, conflict, religion, sickness and death – each essay by an expert who teases out the ways in which the language of art captures and forms social experience across cultures and history in each domain.
In my career I have had the honor and challenge to work on a few book projects. My most recent effort was working with Stuart Handler on The Commonality of Humans Through Art. In understanding the function of indigenous art, one must appreciate that art takes on a fourth dimension which is how these objects, for lack of a better word, become critical tools of society to help in many ways and on many levels to cope within the environment. These objects can often become the critical difference in survival. This book [The Commonality of Humans Through Art] explains this relationship with clarity and respect. This book is relevant and accessible for all levels of appreciation.
This is a book that smoothly links subjects that normally fight vicious border wards with each other – art history, aesthetic theory, anthropology and psychology – and, with its wealth of individual case studies, would provide an ideal way of driving deep into such disputed territory for anyone seeking a broad, unifying overview written in accessible terms. The result is a work that tap-dances effortlessly back and forth across a line dividing the particular from the universal, from excellent, detailed expertise to provocative generalization.
Ten leading scholars come together to write chapters on tribal and ancient art, and its impact on human behavior from birth to death.
Featuring 400 color photos of how art connects mankind through the ages, The Commonality of Humans Through Art is the most important book about art history and cultural anthropology since H.W. Janson’s History of Art.
Through ten chapters, it explores how mankind has used the language of art to explain human behavior, including motherhood, the family, conflict, warfare, sickness, healing, religion, and death. Each chapter illustrates the commonality between diverse cultures showing how art has affected people over the past 30,000 years.
With widely acclaimed scholarly perspectives from neuroscience professors, holistic physicians, and archeological historians, these chapters are a valuable and credible art history textbook.
It’s a reputable resource for library art history books, introductory archaeology textbooks at colleges/universities, and educational art programs.
The Commonality of Humans of Through Art is for anyone curious about learning tribal and ancient art history or those who want to get into the arts. It also serves as a stunning coffee table book featuring historical art objects from the world’s most notable museums and rare private collections.
With Amazon, you get convenient shipping in as little as two days to start your reading journey quickly and easily.
A reputable source for art history, cultural anthropology, and archaeology at colleges, universities, and educational programs.
Serves as a stunning coffee table book showcasing ancient and tribal art from museums and private collections around the world.
With Amazon, you get convenient shipping in as little as two days to start your reading journey quickly and easily.
– Herbert M. Cole
Stories and arts about cosmic and human origins are populated with female and male figures, the former often nursing or holding a child. Here we explore these images and the ideas surrounding them. Art forms, myths, and beliefs are linked together across vast reaches of time and space in countless nuanced styles and variations.
If our main focus is maternity—the mother-and-child unit—its genesis in life, of course, is the sexual union of male and female, sometimes explicit in art, but usually not. We impute meaning to objects that we designate as works of art displaying our themes.
The representations, these tangible things, often have no explicit ideas linked to them, so our starting point, invariably, is human biology: male fertilizes female who, after about nine months of pregnancy, gives birth to a child, whom the new mother may nurse at her breast.
These biological facts are the same everywhere in the world. These three humans—father, mother, baby—constitute a type of nuclear family. Yet depictions of these facts in art are always products of culture that rarely exist simply to record biology. Rather, they fulfill needs of many sorts.
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Ready to uncover how the common threads of art connect us all?
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